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Adam-Scott-Miller — The Path with Heart
Published: 2008-06-19 07:09:36 +0000 UTC; Views: 10457; Favourites: 166; Downloads: 0
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Description
A testament to love.7% acrylic, 93% oil on 52 x 72 in. unstretched canvas
October 07 - March 08, 300+ hours
DETAIL ONE: [link]
DETAIL TWO: [link]
DETAIL THREE: [link]
DETAIL FOUR: [link]
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Comments: 33
wow
www.whoartyou.net/en
An artistic contest in Milan
Check it...
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love, thank you...wow!
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Thank you so much for your appreciation.
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It's just great.
On unsteretched canvas? Very good detail still. A special fabric or base medium or just a very fine technique.
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Well it wasn't stretched over stretcher bars, just tacked up flat on my apartment's wall, then gessoed a few times which unfortunately soaked through the canvas into the drywall behind.. so when I peeled it off a lot of the drywall came off with it...haha. Live and learn...
Thanks Jlof!
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Wow this is an intense piece, I see why it took so many hours. Very nice!
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totally brilliant, very unique style yet theres often something very familliar in your paitings... probably its inherent meaning that seems to be beyond my understaning. i couldn't imagine it before but your art seems to be evolving its greatness
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WOW!! I love this piece Corpus. Evocative and swimming with energy. Great, great job.
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Oh my god... this is just absolutely magnificent!
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This is absolutley incredible, those hours seem to have paid off, I love the intircate patterns and subtle faces, and the colour scheme is great, especially with the contrasting red.
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power points manifesto
circulation creation
surges confidential
waves of auras confiding
this piece as my spirit guides tells is balance of nature and biology essences together as one
the holy triad as one
seen through speculative venture insight
as we are here in physicalness
love this piece, awesome work , deep meaning and beauty of our body-ness
thank you
bluebird of blue light
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siriusly intense image you've created. the 300 hours shows. you've destroyed the term "over-worked" with this piece. how you pull off layering this and it still being totally coherent is beyond me but you did it and i'm glad you did
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adam this one is almost pure geniuse, I know htat you will slowely let go of the influence of maestro Alex grey and find your unique language, this is a first step and among your greatest works....
GoD loves you 
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I have to agree with Mathis that finding ones very own style is essential and this is a step forward.
Influences are not a bad thing at all in this process, they are unavoidable. Not only because some '
Well done.
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