Berried-Lark [2020-02-14 19:33:39 +0000 UTC]
Something that fascinates me is reading this aloud and wondering how you're separating the sounds, or in what way you expect the reader to parse it.
So it's first going:
"but maybe she is—holy,
that is."
I'm reading the first line in full and pause with the comma. Sounds nice.
Then it comes back to that line:
"or maybe she is—holy
holy girl..."
On this I can't help but attach the two holy's, like in a single breath, because it's as if you're emphasizing that she is holy, and you've figured out that fact by the end of the poem.
Maybe I'm explaining a very obvious thing, but I think that bit of wording is what makes this one for me. Passion in repetition and what not. Quite effective.
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