HOME | DD

Description
Finally created a scene using the Stonemason abandoned warehouse model I purchased a while ago. I always try to comment on how much I love his detailed models.
And the great outfit from AeonSoul (aeon--soul.deviantart.com ) of course.
Got lucky this time with the fog and lighting.
The RawArt (rawart3d.deviantart.com ) camera worked flawlessly here for fog/haze without any material tweaking at all.
Used only iray environment lighting (no spot lights, points, etc.), I clicked through the default skies in the "Skies of IRadiance" package until I hit one with the right angle to make the sunbeams.
It's pretty amazing to see the immediate dramatic difference when the environment lighting finally hits just the right angles for the fog/haze. Goes from looking mediocre to great pretty quickly.
In order to see all these effects come together in near-real-time as I set up the scene, I always keep a small or medium-sized window pane that renders immediately in Iray.

Rendered in DAZ Studio 4.9 using Iray, postwork in Photoshop + Topaz Products.

DAZ Products:
www.daz3d.com/tau-ceti-oversee…
www.daz3d.com/sci-fi-tank
www.daz3d.com/abandoned-interi…
www.daz3d.com/tactical-shotgun
www.daz3d.com/chace-hair-for-g…
www.daz3d.com/n-g-s-anagenessi…
www.daz3d.com/skies-of-iradian…
www.daz3d.com/iray-envirocam

Description
Finally created a scene using the Stonemason abandoned warehouse model I purchased a while ago. I always try to comment on how much I love his detailed models.
And the great outfit from AeonSoul (aeon--soul.deviantart.com ) of course.
Got lucky this time with the fog and lighting.
The RawArt (rawart3d.deviantart.com ) camera worked flawlessly here for fog/haze without any material tweaking at all.
Used only iray environment lighting (no spot lights, points, etc.), I clicked through the default skies in the "Skies of IRadiance" package until I hit one with the right angle to make the sunbeams.
It's pretty amazing to see the immediate dramatic difference when the environment lighting finally hits just the right angles for the fog/haze. Goes from looking mediocre to great pretty quickly.
In order to see all these effects come together in near-real-time as I set up the scene, I always keep a small or medium-sized window pane that renders immediately in Iray.

Rendered in DAZ Studio 4.9 using Iray, postwork in Photoshop + Topaz Products.

DAZ Products:
www.daz3d.com/tau-ceti-oversee…
www.daz3d.com/sci-fi-tank
www.daz3d.com/abandoned-interi…
www.daz3d.com/tactical-shotgun
www.daz3d.com/chace-hair-for-g…
www.daz3d.com/n-g-s-anagenessi…
www.daz3d.com/skies-of-iradian…
www.daz3d.com/iray-envirocam