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Beesknees67 In reply to mistywisp [2007-03-26 04:30:00 +0000 UTC]

Thank you for the wonderful comment. I'm happy you enjoy my work!

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Beesknees67 In reply to FractalEyes [2007-03-15 05:18:47 +0000 UTC]

Thank you...I really had fun with this one...no screen relative calculations to figure.

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FractalEyes In reply to Beesknees67 [2007-03-15 11:24:06 +0000 UTC]

You're welcome.

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Beesknees67 In reply to za4em9 [2007-03-11 02:17:29 +0000 UTC]

Thank you!

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Beesknees67 In reply to AnnaKirsten [2007-03-11 02:15:05 +0000 UTC]

Thanks Anna...wasn't sure about all the different textures.

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Beesknees67 In reply to swinck [2007-03-10 18:33:07 +0000 UTC]

Thanks so much...glad you like it.

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Beesknees67 In reply to Leanndra51 [2007-03-10 06:09:49 +0000 UTC]

Thank you...I thought I was finally ready to render but I thought, what the hell, I'll add another texture layer and I'm glad I did. I think it looks much better.

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Leanndra51 In reply to Beesknees67 [2007-03-10 16:19:31 +0000 UTC]

it is very beautiful!

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Beesknees67 In reply to infinitecreature [2007-03-10 06:15:57 +0000 UTC]

Thanks...it's hard for me not to create everything in 3d, after all, that's what fascinated me about this program. Maybe after I take the Artistry course I'll have more of a feel for the flat looking designs. Thank you very much for the comment.

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Beesknees67 In reply to laurengary [2007-03-10 06:22:18 +0000 UTC]

Thank you Lauren. I'm actually chomping at the bit in this course because Janet is checking every single gradient used in an image and if there are unused color points she lets you know. I don't usually create my own, although I have, most of the ones I have are downloaded and some are Apo gradients which have a bazillion color points. I got called on an Apo gradient in last weeks homework.

I know she just want to get use used to creating a gradient for each layer as we go along but that's not so easy for me.

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infinite-art In reply to Beesknees67 [2007-03-11 16:51:29 +0000 UTC]

Just for the record, Kim, it's not that I want you to create a new gradient for each layer (although that's not a bad thing ) There are two much better reasons to eliminate extra control points in your gradients. One, that when it comes time to making some of them transparent in a mask, you won't want to waste time trying to figure out which ones actually affect the image. And two, in my experience, I never really truly understood what was going on in my images until I began to see exactly what part of each layer is controlled by which control point in the gradient.

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laurengary In reply to Beesknees67 [2007-03-11 04:49:49 +0000 UTC]

I don't suppose her classes would be so popular if she wasn't challenging you every step of the way. And I very firmly believe that you'll come through with flying colors.

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Beesknees67 In reply to JennDixonPhotography [2007-03-10 06:24:40 +0000 UTC]

Thank you...lots of texture layers in this one.

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Beesknees67 In reply to VirusNO1 [2007-03-10 06:25:22 +0000 UTC]

Thank you...I'm pleased with how it came out.

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Beesknees67 In reply to NatalieKelsey [2007-03-10 06:26:55 +0000 UTC]

Thank you...I love the Turbulance mapping...gives great marble .

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