Comments: 50
NicksterDagames [2018-10-14 18:36:04 +0000 UTC]
Nice pic and all...
But this is not the emperor.
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Jade-the-Guilmon [2018-05-14 22:09:21 +0000 UTC]
lovely picture, but it just doesn't even look like Emps...he has white hair? I thought his hair was black?
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DarkMechanic In reply to Jade-the-Guilmon [2018-05-15 08:39:07 +0000 UTC]
He appears differently to each individual, especially artists!
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Jade-the-Guilmon In reply to DarkMechanic [2018-05-15 09:00:29 +0000 UTC]
fair enough. just seems like most did him with black hair, but whatever. still a cool pic
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RuRu96 [2013-11-30 12:40:35 +0000 UTC]
The blocky robotic aesthetic is perfectly coupled with all the sketchy details; pretty impressive to say this is done on what looks like paint
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DarkMechanic In reply to RuRu96 [2013-12-01 11:13:41 +0000 UTC]
thanks! and don't worry it's photoshop, not MS Paint!
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zloypolzun [2012-07-26 11:48:45 +0000 UTC]
nice emotion real greatness!
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viciousjaws [2012-06-27 23:35:23 +0000 UTC]
Most honorable rendition and depiction of our Ever-Holy, Immortal God-Emperor! Blessed be He!
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dForrest [2011-06-23 13:41:31 +0000 UTC]
While the render itself (colors, shapes, line etc) is spotless the head-size renders it not what it is supposed to be. A head that small would make this a mech and not a suit of armour.
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DarkMechanic In reply to dForrest [2011-06-24 00:05:20 +0000 UTC]
I don't like big heads.
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Gibaxh [2011-02-28 08:23:13 +0000 UTC]
This is wonderful, the heavy blacks and flat coloring.
Like a cathedral but badass. Love it!
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KlinkHammer [2011-01-02 15:08:33 +0000 UTC]
looks like a walking cathedral
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LordSektor [2010-11-26 09:19:18 +0000 UTC]
ΠΠ°ΡΡ
Π°ΠΌΠΌΠ΅ΡΠ° 40k Π² ΡΠ°ΠΊΠΎΠΌ ΡΡΠΈΠ»Π΅ Ρ Π΅ΡΠ΅ Π½Π΅ Π²ΠΈΠ΄Π΅Π»! ΠΠ΄ΠΎΡ
Π½ΠΎΠ²Π»ΡΠ΅Ρ!
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Noldofinve [2010-08-26 06:39:45 +0000 UTC]
Very interesting version. I like the design of his armour and the whole style of the art.
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freejimmy [2010-08-06 07:02:38 +0000 UTC]
Great style, its nice to see a different technique in the Warhammer World
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Shadowswalk [2010-08-01 15:54:11 +0000 UTC]
There aren't any mech suits like this 40K, these guys were supposed to be literal giants, with the exception that the Emperor passed for a normal human easily enough.
Nice pics though, i think they are wonderful representations.
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DarkMechanic In reply to Nordic-Dragon [2010-07-26 23:48:06 +0000 UTC]
I think you'll find its all shoulder pads
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shaloop [2010-07-26 14:18:03 +0000 UTC]
This is a great series. So, is this the last one?
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DarkMechanic In reply to shaloop [2010-07-26 14:26:14 +0000 UTC]
Thanks! and yep, last one, unless I do the two 'expunged from records' ones.
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marvelleftw [2010-07-26 12:27:44 +0000 UTC]
how long does one of these take you at average sir?
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DarkMechanic In reply to marvelleftw [2010-07-26 14:25:22 +0000 UTC]
Not that long, maybe a day or so. Its good to have a break in-between to stop yourself going mental. I have a specific process which I can do without thinking now, so its fairly speedy.
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DarkMechanic In reply to marvelleftw [2010-07-26 23:45:28 +0000 UTC]
ha, thats alright. If you want to produce quality work, then its best to spend half a day or so away from the pic after you think your finished, just to give your eyes a chance to become less square and a bit of a refresh. You'll be surprised at how different you see things after a break. Colouring is done in photoshop, with meagre layers, as Illustrator is a bit long winded for the process I use. It's actually very simple, I'm not really a digital painter so I don't use brushes.
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DarkMechanic In reply to marvelleftw [2010-07-27 10:43:32 +0000 UTC]
Ha, the bigger the suit, the smaller the person, which people don't seem to get. ah well, least no ones asking why they aren't they waving a chainsword and firing a bolter into the air.
The black lines is a happy accident I came across a few years ago. After I scan my stuff in, I first create a layer which is the ink outline, I do that by creating a flat layer of black and 'cutting' the shape out of it. It's hard to explain exactly what I mean without me actually being there pointing at a screen, but the process is very simple. And I have a wacom tablet, but thats just an expensive mouse at the moment.
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DarkMechanic In reply to marvelleftw [2010-07-27 12:07:43 +0000 UTC]
Computers have always played a part in my work, but not in any artistic sense, more for ease of colouring, cropping, type, scale and getting a good print finish. Its more a tool than anything else. Its all about getting a process down, sticking to it and then taking that process to a new level. So for instance, I began doing pen drawings, then someone suggested using colour, so I used photoshop to play around with colours before actually colouring it by hand. I only used a limited palette because my knowledge of colour was pretty piss poor, but the limitation worked for me, so I ran with it, and also I preferred the flat colour rather than paint, so I stuck with computers for that as well. The black stencil technique came about while I was trying to find out ways to get rid of any gradients in my pen drawings, because flat colour only works with other flat colours.
So you see, a specific style is something you may come across accidentally and may take anything up to a year to perfect, but after that you apply the process to any idea you have and that's how you get consistent art work, which allows room for improvement for the technique as well.
Lengthy explanation, but hope that helps!
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marvelleftw In reply to DarkMechanic [2010-07-27 13:47:40 +0000 UTC]
Lengthy and helpful, thanks a lot. It's allways interesting to see how others go about their work. I share your views on computers as tools and agree that specialization and consistency can have their benefits. I'm currently exloring styles myself since I think there is a different style suited for different emotions or situations and so it's difficult for me to relate to using one, but I'm slowly getting that part(why all the most successful artists use 1 to 2 styles)...
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DarkMechanic In reply to marvelleftw [2010-07-27 14:15:13 +0000 UTC]
you'll find a way of working, that I have no doubt. Some people instantly come up with something while others take a while to get there. My work before was way different because I didn't concentrate on what I was good at and also enjoyed. Identify your 3 strongest qualities and go from there. Also, have a look at these guys, some you may know, some you may not, but they are good examples of having an artistic identity.
Tara Mcpherson - [link]
Ashley Wood - [link]
Sam Bell - I live with this guy
Phil Hale - [link]
Nicko - [link]
My advice is don't get put off by the league of speed painters. To me, although what they do is awesome, to me it lacks in personal identity. It takes years and years to get to their level, and they do it as a profession.
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Lemniskate [2010-07-26 11:37:30 +0000 UTC]
Now that's a small head.
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DarkMechanic In reply to Lemniskate [2010-07-26 23:49:37 +0000 UTC]
or very big shoulder pads. No going through doors for this chap.
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