KarmaGhost In reply to ottersandsky [2009-06-04 23:50:55 +0000 UTC]
:rant: Haha, no, not intentional at all. I actually hate "The Hollow Men" (which is connected to Joseph Conrad's Heart of Darkness). I think Eliot had an unfortunate worldview, unveiled in--what else?--"The Wasteland." Namely, he basked in the brokenness of the world without the hope of its redemption. The close to "The Hollow Men" (and indeed, its opening) illustrates this so well. The opening casts Mister Kurtz, the mad colonial who descended into savagery and self-made godhood in the Belgian Congo, as Guy Fawkes--"a penny for the old guy"--of course, by the same token, it makes the penny the worth of his life. Fawkes and Kurtz both died, but both were rebels against an otherwise utopian ideal. Then at the end, the repeat of "Thine is the Kingdom" pulls us into the world ending "with a whimper"--and there is no completion to the Lord's Prayer he is quoting, no hope for forever and ever, no trust in the Power or the Glory, merely in the Kingdom... [/rant]
Whereas you're right that this poem is about enjoying an insular darkness, it also welcomes the gentle hope in the end for "body heat", replacing my solitude with the intimacy of another--something Eliot was a little too down to see. Actually, when I first read "The Hollow Men", I joked with a friend that it was before its time. Eliot would have made a great 21st century gothy high school kid!
I have a hard time with repeating words in this piece, and perhaps the "like" in the part you quoted is one of them, but I do not think so. This is primarily due to the imagery of a key slipping into a lock, and all that entails--not that it turns in the lock, not that it opens the door, only that the key fits.
Thanks for the thoughts...and yeah, it is warming up. It felt really good to get this out of my system.
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