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Description
The above is the older, poorly scanned version of:
[link]
I left this old one up for the sake of comparison...
Visit this link for the better scanned, enhanced version.

double A4 Canson Bristol; 0.10 Rotring Rapidograph, black ink

The completion of this work was quite a saga for m personally. It was initiated in December 2000 in an apartment in the city of Tianjin, China, and worked on through an intense time into January 2001, after which for various reasons I fell into a depressed state, and the drawing was left only half completed. I ceased drawing for many months thereafter, during which I landed back in the States for a brief interlude, went on a mad bicycle journey through France, across the Alps and down into Italy to end up in Rome in October 2001, where I was soon able to find a job. I hadn't drawn for so many months, and I had to go to the art store to buy new rapidographs, which I had not even thought to pack in my bicycle bags. In a wonderful room in the Pigneto district in the southeast corner of the city, I began to draw again, this time an ouroboros.

Many months, and many strange times beyond this idyllic life, I once again found myself back in the States in December 2002. I was there to fulfill my fantasy of converting my grandfather's workshop, which had been collecting dust and rubbish for the 25 years since his passing, into my personal live/work/art chamber. Thus I spent 9 months in absolute hermetic solitude, sleeping on a reassuringly solid bed of pine planks I built to raise myself above the concrete floor, from which I could stare up at the deer antlers and old felt hunting hat of my grandfather. Nine hours a day, 7 days a week, for nine months, of solid drawing, drinking vodka and watching anime after finishing the shift at 12:30am.

The second half of the above drawing was begun soon after I acquired this domain, in January 2003, and completed in February. So a total of two years separate the top half of this work from the bottom. The completion felt extremely intense, and the ensuing isolation and focus on art was a revelatory time...

This scan makes the background too black, taking away the silvery black texturing of the original. Please check out the further detail shots in my gallery, which are flash photographed, to get a better idea of what this piece looks like in life (this scan is very unsatisfying to me).

Description
The above is the older, poorly scanned version of:
[link]
I left this old one up for the sake of comparison...
Visit this link for the better scanned, enhanced version.

double A4 Canson Bristol; 0.10 Rotring Rapidograph, black ink

The completion of this work was quite a saga for m personally. It was initiated in December 2000 in an apartment in the city of Tianjin, China, and worked on through an intense time into January 2001, after which for various reasons I fell into a depressed state, and the drawing was left only half completed. I ceased drawing for many months thereafter, during which I landed back in the States for a brief interlude, went on a mad bicycle journey through France, across the Alps and down into Italy to end up in Rome in October 2001, where I was soon able to find a job. I hadn't drawn for so many months, and I had to go to the art store to buy new rapidographs, which I had not even thought to pack in my bicycle bags. In a wonderful room in the Pigneto district in the southeast corner of the city, I began to draw again, this time an ouroboros.

Many months, and many strange times beyond this idyllic life, I once again found myself back in the States in December 2002. I was there to fulfill my fantasy of converting my grandfather's workshop, which had been collecting dust and rubbish for the 25 years since his passing, into my personal live/work/art chamber. Thus I spent 9 months in absolute hermetic solitude, sleeping on a reassuringly solid bed of pine planks I built to raise myself above the concrete floor, from which I could stare up at the deer antlers and old felt hunting hat of my grandfather. Nine hours a day, 7 days a week, for nine months, of solid drawing, drinking vodka and watching anime after finishing the shift at 12:30am.

The second half of the above drawing was begun soon after I acquired this domain, in January 2003, and completed in February. So a total of two years separate the top half of this work from the bottom. The completion felt extremely intense, and the ensuing isolation and focus on art was a revelatory time...

This scan makes the background too black, taking away the silvery black texturing of the original. Please check out the further detail shots in my gallery, which are flash photographed, to get a better idea of what this piece looks like in life (this scan is very unsatisfying to me).