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Description
Not sure much more should B done wid dees won.

Originally a hand drawing sketched 1st with pencil, traced a whole lot, copied on2 watercolor paper I think, lines drawn over with gel pens, colored with the same + markers, later scanned, much later (recently) manipulated with mobile device-friendly drawing apps/editing vybes.
Myriad are the inspirations, from Moses' wife Tzipporah in Dreamworks' 1st animated feature The Prince of Egypt, 2 Milla Jovovich's quirkily adorable and acrobatic Leeloo in The Fifth Element, to the intricately patterned raiment of Ra and his entourage in 1994's STARGATE, to the barely-there and mostly bare dress/native Amazonians in John Boorman's The Emerald Forest, the stunning Sandrine Holt's native character Ramana in Kevin Reynolds's Rapa Nui convinced me that necklaces on my drawings of characters was worthwhile, and the hip-tassled garb of the HMS Bounty-entrancing dancing Tahitian girls in Roger Donaldson's The Bounty, 3 large-eyed friends of mine from across the years, and a brief but lovely scene in Terrence Malick's Pocahantas epic The New World where she's strolling along a large tree branch arrayed in a loincloth and decked with like a hundred necklaces. I think it very cool that, even when all these different pockets of humanity see little use 4 clothing, they nevertheless tend 2 favour ornaments and decorations of endless variety.
Because humanity as a whole is made Artistic 😎✊

Description
Not sure much more should B done wid dees won.

Originally a hand drawing sketched 1st with pencil, traced a whole lot, copied on2 watercolor paper I think, lines drawn over with gel pens, colored with the same + markers, later scanned, much later (recently) manipulated with mobile device-friendly drawing apps/editing vybes.
Myriad are the inspirations, from Moses' wife Tzipporah in Dreamworks' 1st animated feature The Prince of Egypt, 2 Milla Jovovich's quirkily adorable and acrobatic Leeloo in The Fifth Element, to the intricately patterned raiment of Ra and his entourage in 1994's STARGATE, to the barely-there and mostly bare dress/native Amazonians in John Boorman's The Emerald Forest, the stunning Sandrine Holt's native character Ramana in Kevin Reynolds's Rapa Nui convinced me that necklaces on my drawings of characters was worthwhile, and the hip-tassled garb of the HMS Bounty-entrancing dancing Tahitian girls in Roger Donaldson's The Bounty, 3 large-eyed friends of mine from across the years, and a brief but lovely scene in Terrence Malick's Pocahantas epic The New World where she's strolling along a large tree branch arrayed in a loincloth and decked with like a hundred necklaces. I think it very cool that, even when all these different pockets of humanity see little use 4 clothing, they nevertheless tend 2 favour ornaments and decorations of endless variety.
Because humanity as a whole is made Artistic 😎✊