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akrasielStonecarver
#carving #epidemic #family #influenza #love #stone #stonecarver #war #calloftherift
Published: 2017-07-05 14:23:08 +0000 UTC; Views: 12687; Favourites: 62; Downloads: 0
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Description

In the deepest hour of night, Halian slides off the dirt platform of his bed. Shivering, he tucks the blankets back around his daughter, Lituwa, who just turned four. Her dark hair splays across the grass-stuffed mattress. He kisses his wife’s forehead, then her lips. She smiles in her sleep.

Segowa, his wife, embroidered the top blanket. The arrowhead leaves of her family crest intertwine with the ghostblossom of Halian’s. Two plants that rarely meet in the rainforest understory, yet here they are, twisted together in green and white thread. One of the few marks of his existence in this plank house.

Coals cast soft orange light on Segowa’s sleeping family – sister, parents, mother’s parents. Beyond them are rows of beds in both directions. Several families live under one vaulted ceiling. Halian married into the house four years ago, but the carved stone animals on the hearth mantelpieces still watch him. He swears their eyes glow.

He lifts a polished wooden box down from a shelf. Inside, figurines stand like warriors awaiting commands. These ones are his work, symbols of his ancestors – a limestone seal, soapstone raven, jade dolphin. The house elders refuse to let him place them over the hearth. Stubborn old fools, he thinks.

He’s twenty-three, an initiated stonecarver, a difficult position to attain. His figurines stand guard in his old home a few houses down, and they’re often praised for looking so alive. But his wife’s elders still treat him like a careless teenager. They won’t risk him letting rogue spirits into their plank house, no matter how much they need the protection his carvings might offer.

Illness hit late last winter. It spread from foreign sailors to the colonists’ capital city, and out from there like wildfire. Fear was its smoke, billowing far beyond the flames. War followed in its wake. Razed villages, massacres, gaunt bodies dumped in shallow graves. Halian’s tribe leader, the okorebai, sent warriors north and summoned the rest of the tribe home.

It was too late. They brought the lung-killer with them. By the end of summer, their tribe of two thousand people had dropped to one thousand.

Halian slides a quartz hawk into his breeches pocket and returns the box to its shelf. He pulls on his boots, cloak, and gloves. He tucks a knife into his belt. A woman nursing a baby watches him. Her baby coughs. If it worsens, she’ll have to take it to the healers. Few infants who leave ever return. Halian has already dug tiny graves in the woods for his niece and nephew.

He and the woman have an unspoken agreement. He doesn’t tell anyone the baby wakes her up, and she doesn’t tell anyone he leaves at night.

Snow floats down outside, filling in the shovelled paths. Halian slips into a storage shed near their plank house. He’s done this enough to work in the dark. He scoops flour into a bag and wraps a wedge of smoked salmon in canvas. It won’t be noticed missing. He doesn’t know yet where he’ll take his wife and child, only that he wants to be ready for a long trip.

It’s their food by rights. In autumn Segowa gathered duck potato from streams and ground it into flour, and he caught salmon at her family’s fishing grounds down the coast. They had to work hard, being two of the few adults not sick or away fighting. War still found Halian though. Foreign mercenaries tried to raid the salmon camp. He killed a man by panic alone, stabbing his fish knife into the man’s eye.

My brave husband, Segowa said when he returned home. She kissed his wounds from the mercenary’s sword. They were intimate for the first time in months, his calloused hands clinging to her curves. The next day, little Lituwa wanted stories from the salmon camp. He bounced her on his knee and told her of sea wolves that catch salmon with their jaws. All he saw was that man’s eye.

It’s their family’s food. He bled and killed for it. But he knows why the stone animals over the hearths watch him.

Halian kicks snow over his footprints and heads through the grid of plank houses. Moonlight glazes their snowy roofs in blue. His boots crunch in the silence. He passes his old house without stopping. His brother’s probably awake, grieving, but Halian doesn’t want to explain why he’s awake too.

Some houses sit empty. The lung-killer tore through them, wiping out whole families. A few buildings are quarantined, marked by torches that burn all day and night. He avoids them, but still hears dry rattling coughs. Death’s lullaby. He won’t find solace in the shrine. Someone’s always there, always mourning. They won’t take kindly to overhearing the questions Halian has for his ancestral spirits. The guidance he needs.

Then the last person he wants to see appears in the drifting snow. Segowa’s older brother.

Ranelin is everything a man ought to be. Huge, strong, and blunt as a battering ram. Not a warrior by lineage, but capable enough. He’s been away at the front lines for a month. Segowa will be relieved, for which Halian is glad, but did they have to run into each other now?

“Brother-in-law,” Ranelin calls. Even his voice is big. “Where you going at this hour?”

Halian pulls his knife from his belt. “Couldn’t sleep. Figured I’d better get some weapons practice in.”

Ranelin nods. He doesn’t crack a joke at Halian’s expense. Something is wrong. “I came with news. You’re the first to hear.” He tosses his battle-axe from hand to hand. “The okorebai’s daughter is dead. Killed in battle.”

Halian is silent, stunned. The okorebai’s son has already died. There’s no one left to succeed her. If she dies too, they’re leaderless.

“There’s talk. Every young man might be called to fight. You included, little brother.”

For once, Halian doesn’t bristle at the term. His mind charges ahead like a furious elk. He’s tall and healthy, but not a warrior either, and not built like Ranelin. He’s wiry as a cottonwood sapling. Killing that mercenary was a fluke.

He will die in battle. In days, perhaps. Then his wife and daughter will be alone.

*

Halian winds along the ocean cliffs, teeth chattering in the icy wind. Stars wink through a clear patch among the clouds. Near the canoe docks, he buries the flour and salmon among the frosty roots of a salt spruce. He takes out a vodka bottle and covers the cache with snow. Hours from now, he might dig it up again.

Segowa will be upset if she sees the vodka. He sticks his knife into the cork, yanks it out, and takes a swig. He shudders. He’s out of practice from his teenage years. It’s not long until the fuzziness sets in.

Every night he takes the quartz hawk from its box. Every dawn he thinks maybe that’ll be the day he offers it to Segowa. A symbol of himself. If they flee, that’s all he can offer. They won’t have the protection of their families, tribe, or the spirits that dwell here.

Today will have to be the day.

He’s terrified she’ll refuse. Running is cowardly. It’s betrayal. A life of loneliness. And maybe she won’t believe he can protect her or Lituwa. What kind of man can’t protect his family? A lifetime devoted to stonecarving and the spirits, and he’s forbidden to call on them. He throws his knife at a stump. It bounces away harmlessly.

He’s more afraid Segowa will accept the hawk.

She was twenty-three when he got her pregnant. He was nineteen. A stupid boy flattered that a gorgeous woman, a talented embroiderer, looked his way. A stupid boy overwhelmed by lust. But Segowa decided she wanted the baby – and she wanted Halian. He made her smile with quiet, dry humour. He made her feel desired. She was amazed that he could touch a piece of rock and know what shape it’d take.

She loves his hands most. He squints at them in the watery moonlight. Long thin fingers, scarred palms, rough skin from stonecarving. A working man’s hands, she says. She likes them on her body.

Always devout, he asked the spirits what to do. The answer was clear. It wasn’t until he held their newborn daughter, in awe of the life they created, that he felt ready. A month later he married Segowa in the shrine. They were tattooed with each other’s crests. He started growing his hair out too. Marriage meant he’d become a man. It grew along with baby Lituwa’s, the same shade of dark brown.

His long braid doesn’t make him feel like a man though. The vodka brings up things he’s pushed down for four years.

He’s forever marked. No other woman will touch him that way now. It’s possible Segowa’s elders will always see him as that careless teenage boy, never permit him to carve for their house. His role as a spiritual guardian will be over. Lituwa will have to apprentice to Segowa as an embroiderer. The only trace of her father will be the ghostblossom crest she inherits from him.

Even that feels like a joke. He’s a ghost in his own settlement. A nobody slated to die before midwinter. He hates himself for caring about any of it when he should be worrying how to keep his wife and child from the lung-killer.

Halian stumbles to the cliff edge. Dolphin-prow canoes bump against the docks far below. Further down the coast, he can see the shrine island. “Help me,” he begs the spirits. “Show me the path.”

On and on the ocean swells. Snow falls on his face. It’d be easier not to ask Segowa. Not to test how much she loves him. Not to make her choose. But he has to. He owes her that much, a choice in her own marriage.

No matter what he does – flees with her or dies in battle – she’ll never look at him again like when he returned from the salmon camp. She’ll never call him brave again. Her back won’t arch, her toes won’t curl for him again.

“Please.” He drops to his knees on the rocks, scoured clean by wind, and screams into the sky. “Please! I don’t know what to do!”

Nothing answers.

He rises to his feet. The ocean spreads vast below, thick and black. He thinks he can survive the fall. Though, through the haze of vodka, he can’t tell how far down it is. He doesn’t know how hard he’ll hit or how cold the water is. He sways on the edge.

And he leaps.

*

Halfway to the water, his body changes.

Feathers burst from his arms. He catches a current of air and glides over inky waves. He’s soaring before he realizes he’s a hawk.

He’s only shifted once by accident – in adolescence, the first time he shifted, when the spirits gave him this gift. Every time since has been deliberate. This time, something is telling him to wait. To have faith. To seek another way.

*

“Halian?” Segowa edges forward.

He’s lying face-up on the docks. He lifts his head to look at her. She’s more stunning than he remembered, half in sunlight, half in shadow cast by the cliffs. Cloud weasel fur on her hood frames her face. Her pine-brown braid drapes over one shoulder. It carries the memory of their first time together, and all the times after, including the one that created their little girl. Memories older than his braid carries.

“Where’s Lituwa?” he murmurs.

“In our house. My sister’s looking after her.”

Our house. He clings to the words.

“Ranelin said you came this way.” Segowa kneels on the salt-stained timbers. “The okorebai made a decision. She’s disbanding our regiment in the colonists’ military. We’re pulling out of the war.”

Halian sits up. He won’t die. Her words can’t be real. And yet… maybe the spirits knew what was being decided overnight.

Segowa touches his cheek. “You’re freezing. How long have you been out here?”

She can’t be real. She, so patient and beautiful and loving, can’t be his wife. He pushes her hood back and trails his fingertips over her lips.

“I need you to do something.” Breathless, he holds out the quartz hawk. “Put this on the mantelpiece in our house.”

Her thin brows furrow. “You know it’s not up to me–”

“Please. It’ll keep you safe. You and Lituwa. Trust me, please. The spirits gave me a sign.”

Segowa bites her lip. She’s questioned many things over the years, his drinking and his love for her, but never his connection to the spirit world. He’s a stonecarver. He knows these things. He hopes, more than anything he’s ever hoped, she believes that now.

She takes the hawk.

He grabs the back of her neck. His heart drums inside his ribcage. “Have you ever wanted another child?”

She stares at him. “Where did that come from?”

“Segowa. Do you want another child with me?”

Her cheeks flush. “Yes. But I didn’t think you do.”

“I want a sibling for our daughter.” He digs his fingers into her braid. He feels all her memories in those strands, pulsing and alive. “Will you give me one? Right here. Right now.”

“Are you insane? It’s too cold–”

“Segowa!”

“Yes!” The word bursts from her. “Yes, Halian!”

He kisses her, tearing at her leggings. They roll across the docks. His body swells with love, with desire. He doesn’t have to kill someone to be brave, to deserve her love. He just has to choose her. He just has to stay.

Related content
Comments: 38

GrimAlpaca [2017-12-27 18:09:49 +0000 UTC]

What to say? If that's the effect vodka has, maybe I should try it as well.

For starters, let me tell you that this short story is excellent and well deserving of its DD. I very much appreciate the fact that it stands up without requiring previous knowledge of the novel itself and, while suggesting the possibility of a follow-up, does not beg for one either.

What surprised me is the way this piece hooked me up from the very beginning. Just one time did I ask myself how long it was, only to forgot all about it afterwards. I don't know if this is because you wrote it while drunk, because you didn't edit it whatsoever or whatever, but the charme of this piece lies in the peculiar vibe it sends off. "I'm primal", it says, "look at my sheer power! Feel the passion in my words!"

Grammar-wise, I've no objections. The present tense thingy has been pulled off masterfully, and this clearly betrays your mastery with writing as a whole. Even if there might've been mistakes, it would be easy for a proofreader to pass them, because the plot calls for undivided attention.

I'll wrap this up by saying that it's incredibly easy for the reader to visualize what your words describe. Even if this story is probably an oneshot, I would like to see more from Halian's point of view. For now, though, I feel that a star is well deserved. Such powerful pieces are always a sight to behold.

Merry Critmas!

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akrasiel In reply to GrimAlpaca [2017-12-29 10:56:51 +0000 UTC]

Ha, as I mentioned on that forum thread about drinking and writing, I think any successful elements of this story are despite alcohol, not because of it. I certainly don't recommend it as a strategy.

But in all seriousness, thank you for this comment – I'm in the middle of editing this story finally, questioning its entire structure because it's unlike how I usually write, and it's reassuring to hear that I'm on the right track. I agree it'd be interesting to keep writing from Halian's perspective, though I don't think I can work it in. I'm fairly settled on the next story in the collection being from Segowa's POV, and everything from then on being their son's POV. In a way, though, with children repeating the cycle of their parents' lives... well, maybe it'll still shed some light on Halian.

Merry Critmas to you too!

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GrimAlpaca In reply to akrasiel [2017-12-29 11:27:55 +0000 UTC]

Rest assured that alcohol is not on my top ten of friends, heh.

About the story, what can I say? Some pieces are bound to be unique.

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FaolSidhe [2017-10-08 18:52:11 +0000 UTC]

I think it is pretty good. I wouldn't be able to do the same when sober. I really appreciated it.

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akrasiel In reply to FaolSidhe [2017-10-08 20:50:11 +0000 UTC]

Thanks

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Mrs-Durden [2017-08-17 10:13:00 +0000 UTC]

Hello! Your beautiful work has been featured here: My Daily Deviation Highlights VIII

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Lily-Lucid [2017-07-12 03:40:38 +0000 UTC]

Nicely done! Congrats on the DD!!

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akrasiel In reply to Lily-Lucid [2017-07-12 04:27:50 +0000 UTC]

Thanks!

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Lily-Lucid In reply to akrasiel [2017-07-13 03:12:42 +0000 UTC]

You're welcome!

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Rhoder [2017-07-09 07:15:19 +0000 UTC]

Wow, I love the dark and somber tone! Especially at the start. If I didn't already know you and was already certain I was going to enjoy this story, that's what would've hooked and reeled me in. But that's not even the best part! What I love most is how it shifts from pessimism to optimism, hopelessness to hope. Also, excellent threading of the cultural aspects of these people into the narrative. Not having to pause the flow of the story to explain the world is a skill in and of itself. Oh, and I'm impressed that you don't pull punches with the themes of emasculation. If it's still possible, I think it'd be a good idea to include this in that short story collection. If you're not locked into Airedain's perspective, it frees you up to hop into Lituwa's head, or Ranelin's, which I think might be interesting.

DD feature well deserved.

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akrasiel In reply to Rhoder [2017-07-09 11:41:58 +0000 UTC]



Yeah, I think I want this to be the first story in the collection, where it all begins. I'm considering writing a story from Segowa's perspective while Airedain is two or three. It feels like there's a gap between this and the Little Hawk story, where her changing feelings haven't yet been made clear. The rest of the collection would all be 1st person POV for Airedain.

And I'll probably need to add another story between Little Hawk and The Snowball, when A's about seven. To think I once intended for The Snowball to be the first story!

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Rhoder In reply to akrasiel [2017-07-09 20:00:05 +0000 UTC]

Excellent ideas. Be careful or you might suddenly have another novel on your hands!!

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akrasiel In reply to Rhoder [2017-07-10 00:39:44 +0000 UTC]

oh god it's already well on its way to happening

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Shadow-Walker-22 [2017-07-07 15:31:59 +0000 UTC]

Nicely done!  

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akrasiel In reply to Shadow-Walker-22 [2017-07-09 03:42:39 +0000 UTC]

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Shadow-Walker-22 In reply to akrasiel [2017-07-09 04:22:32 +0000 UTC]

see yay!

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LostGryphin [2017-07-07 14:12:21 +0000 UTC]

Congrats on the DD - The first sentences were very interesting that the story grabbed my attention. There is an interesting viewpoint in this story and I love the names (they are not difficult to read) as they are unique and add to the story.

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akrasiel In reply to LostGryphin [2017-07-09 03:42:32 +0000 UTC]

Thank you!

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PuffytonDoesArt [2017-07-07 13:56:15 +0000 UTC]

Good job! If this is you writing drunk, what else can you do?


( if you can, could you stop by my DA page and read my story thing. You are a really good writer, and if you could, I'd live some feed back. Thanks if you can!)

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EricVonSchweetz [2017-07-07 08:02:31 +0000 UTC]

Congratulations on DD!

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akrasiel In reply to EricVonSchweetz [2017-07-07 08:14:38 +0000 UTC]

Thank you!

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nightshade-keyblade [2017-07-07 00:58:54 +0000 UTC]

Are the characters based off of the Aborigines of Australia?

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akrasiel In reply to nightshade-keyblade [2017-07-07 01:08:57 +0000 UTC]

They're based off First Nations people in the Pacific Northwest of Canada, where I grew up. Sea wolves, duck potato, plank houses, etc. are all real things from the region. The epidemic in this story is loosely based off the 1918 Spanish flu pandemic, which hit indigenous communities especially hard.

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nightshade-keyblade In reply to akrasiel [2017-07-09 03:29:52 +0000 UTC]

Incredible. The historical context just makes it even more lifelike!

Brilliant story with such a vivid setting.

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akrasiel In reply to nightshade-keyblade [2017-07-09 03:41:37 +0000 UTC]

Thank you!

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DC-26 [2017-07-06 00:13:45 +0000 UTC]

I wasn't sure about this one from the first few lines, but it drew me in soon enough.  You address a poignant theme: I think we all often wonder "what is enough?"
Effective world building, and very real characters. 

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akrasiel In reply to DC-26 [2017-07-06 02:09:49 +0000 UTC]

Mm, I went through a few versions of the first lines. Glad it hooked you eventually.

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DC-26 In reply to akrasiel [2017-07-06 11:55:06 +0000 UTC]

I imagine so - that's always tricky... the need to balance introducing character names vs. not get too bogged down with a bunch of new vocab.  I wish I had a more concrete suggestion for you.  It's not "bad" by any means, just feels less immersive than the rest.  Maybe that's inevitable with starting a new story.  I think the point where I was all in was when the carvings get mentioned, and I was definitely drawn in by the line about the unspoken agreement with the other mother up in the middle of the night.

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akrasiel In reply to DC-26 [2017-07-07 02:01:17 +0000 UTC]

I have some thoughts on how to improve it, but I think I ought to take some time away and come back with fresh eyes. Thanks for your feedback!

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DC-26 In reply to akrasiel [2017-07-07 02:32:37 +0000 UTC]

That sounds wise.
It's a wonderful story.  I nominated it for a DD.

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akrasiel In reply to DC-26 [2017-07-07 02:41:09 +0000 UTC]

Oh goodness! I'm honoured!

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EstherLR [2017-07-05 22:03:44 +0000 UTC]

Damnnn...this gripped me from the start. You did an excellent job in introducing everything we need to know about Halian and Segowa without saying too much. Every detail you've written comes to fruition in the end. The trouble that's on Halian's mind and his drunken state. And I love the little bit of fantasy you've put there with the shapeshifting.

And it's got a happy ending so...

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akrasiel In reply to EstherLR [2017-07-06 02:08:10 +0000 UTC]

I'm relieved it worked! The last story I wrote was from the POV of Halian's second child when he's five, and it was pretty much impossible to show all this complicated history through a five-year-old's eyes. This was meant to fill in the gaps.

A happy ending in the realistic and the euphemistic way, ha

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EstherLR In reply to akrasiel [2017-07-06 08:02:24 +0000 UTC]

Yeah I completely get that writing something from a child's pov can leave many gaps because there is only so much that a child will understand. 

And I can't believe you wrote this rocking a nice buzz...I've been known to text gibberish in my sleepy state and I imagine that would be the type of stuff I'd write in a drunken state too So well done on that

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akrasiel In reply to EstherLR [2017-07-06 08:06:14 +0000 UTC]

And adults censor what they say to kids, and events from years ago are always harder to narrate than showing it in the moment.

Hahaha, I'm 28 and I'd never even been tipsy before a couple weeks ago, so drunk writing is verrrry new to me. I'm kind of amazed it turned out okay!

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EstherLR In reply to akrasiel [2017-07-06 08:12:30 +0000 UTC]

28 and never been tipsy before? Gurl...but you're not missing out on much. Getting drunk is a lotta mess to deal with. Good for you actually. I've hated the two times I've gotten drunk to the point of no return. So I applaud you

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akrasiel In reply to EstherLR [2017-07-06 09:35:36 +0000 UTC]

Yeah, I was fully straightedge for 12 years, hadn't touched alcohol since my teens. Various reasons for starting now, but mostly to see if it helps with my anxiety

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EstherLR In reply to akrasiel [2017-07-06 13:54:13 +0000 UTC]

I don't think alcohol will help with your anxiety to be honest ...I hear weed helps. It has no effect on me so I wouldn't know to be honest. Exercise seems to be the best thing but you do need to devote quite some time to it which is hard for busy people. 

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