Comments: 15
tonepainter [2009-07-26 00:04:50 +0000 UTC]
Overall
Vision
Originality
Technique
Impact
I love pretty much everything about this photo.
For a start, it's one of the most dimensional photographs I've ever seen. The picture spreads out both broadly and deeply in a truly creative way. It spreads out broadly across the width of the landscape and the expansive sky. It spreads out deeply by creating 3 separate areas for our eyes to notice: the tall blades of the desert shrub close in to the camera, the model posed at the focus point on the boulder I'm guessing about 10-15 feet away, and the distant mountains many miles off at the horizon. For me, this turns the 2 physical dimensions of the photograph into 3 full and rich dimensions of perception.
Next, the model makes what's undoubtedly a very difficult pose look simple, natural, and at one with the rock and the desert. The gracefulness of her pose, her unobtrusive placement at the end of the rock, the harmonious overall composition and the beautiful tonality combine to create a profound effect. To me it seems one of humility and awe towards the magnificence of the surroundings. That's a truly artistic achievement.
This is a wonderful photograph, and I congratulate both the photographer and the model on their achievement.
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creativemindsKL [2009-08-16 19:57:10 +0000 UTC]
Everything about this picture captures me, not only is the scenery interesting but the pose is beautiful. i love how you are seen through the plants...
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Martini-Beach [2009-07-26 00:56:47 +0000 UTC]
fab vision...
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Delacroix01 [2009-07-26 00:26:22 +0000 UTC]
Off-centered
I love the landscape, the sepia, you(the model), but i just get why you are off-centered...
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Delacroix01 In reply to Delacroix01 [2009-07-26 00:27:49 +0000 UTC]
i meant "i just *donΒ΄t" understand why you are off-centered".
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Delacroix01 In reply to tonepainter [2009-07-26 02:00:04 +0000 UTC]
No, i just saw his gallery.
98% of his works are off-centered on model, centered on landscape.
Besides my OCD screaming , what bother me about it is that, at last for painting, we use to off-center an human mainly on a mood despite/exclusion of the object.
The off-center could be to meld the model to the landscape, but i donΒ΄t think he is really too worried about it, as her hair apears fully. He could take the hair off instead of placing it on the darker area of the photo, for a less contrast meld.
Also, to off-center an human, not on an intention of exclusion, i think one need to rethink the entire image balance. Because, at least in my opinion, the proximity of her back to the sky(on the right side), the fact that the right side of the image is lighter, and that the model is off-centered to the right. All that make the photo rotate...(it is going to fall!)
I read your critique also, well i dont agree very much. But i guess it is just an incompactibility of mine with the photographer style(as almost all photos on his gallery are similar).
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tonepainter In reply to Delacroix01 [2009-07-26 04:50:10 +0000 UTC]
I agree that the photo you linked to is wonderful; it's one of my favorites. The way the curve of her body pose matches the curve of the cascade really brings the picture alive for me.
I'm certainly no expert on photography... but I find myself frequently returning to =bellabrooke 's work because it is of such high quality and it evinces such an intensity of commitment to her art. Likewise, I find =dwingephotography 's work to have attained a quality surpassing most of what I've seen on DA. I'm just learning this stuff, and I'll think about your comments more.
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Delacroix01 In reply to tonepainter [2009-07-26 07:46:33 +0000 UTC]
It is funny. I really agree with you about the very strange comparison you just made there!(model-photographer)
When i saw her "gallery", at first i was astounded by the model ( obviously =/).
But then i noticed something even more important. The entire "gallery" is consistent(400 photos!). Without compromising the plastic aspect of the model(she still changes a lot).
What is amazing(the consistency!!), considering the many different photographers.
Often i think her "gallery" is more coherent being shot by many photographers, than many photographer's galleries shooting diferent models/objects/etc.
That is why i think its interesting the way you just misslinked in your post the work of a model and the work of a photographer, as if it was the same kind of thing.
But somehow i agree with you...
Or, she really *really* know how to pick the people she work with,
Or, she is kind of changing the way ppl work toward her.
...Anyway the consistency is so amazing that i can see a gallery, instead of what was suposed to be a portfolio.
(Portfolios use to be so "frankeinstein-like", each piece from one side and so.)
( PS.: =/ this particular picture above is kind of an exception though... just my opinion >.< )
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Battledress [2009-07-26 00:04:09 +0000 UTC]
Wonderful....
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1PixArt [2009-07-25 23:39:59 +0000 UTC]
sweet!
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