Comments: 61
Islaytrout [2015-03-11 07:48:49 +0000 UTC]
It's beautiful
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Glitzmeister [2014-01-12 23:50:40 +0000 UTC]
Beautifull. Is it a copy of a real historical lute rose or is it your own desing?
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Thorleifr In reply to Glitzmeister [2014-01-13 19:09:50 +0000 UTC]
Thanks! It's a copy of an historical model. You can google-image "venere lute rose" to see more...
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Glitzmeister In reply to Thorleifr [2014-01-13 20:36:29 +0000 UTC]
Ah, it seems to belong to the Bologna Venere. How embarassing, I even own a copy of that instrument (but it came with a Railich rose).
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Glitzmeister In reply to Thorleifr [2014-01-15 21:36:04 +0000 UTC]
Mine is a "student's instrument" buildt by Matthias Wagner. I bought it second hand but still unused from a collector through the small ads at German Lute Society's website (Deutsche Lautengesellschaft).
It came with rib spacers, an edged soundboard, fingerboard points and other fancy things I would never have expected on a student's instrument.
Can you recommend the guide by vanEdvards even if I do not want to build exactly this lute? So far I've only read the Lundberg book and was glad to hear of a new German lute construction book that recently appeared as a book on demand (but have not managed to lay my hands on one so far).
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Thorleifr In reply to Glitzmeister [2014-01-16 18:24:56 +0000 UTC]
Yes, the Van Edwards package is a true gold mine. I learned so much with it. It has absolutely all the details you need to build the instrument. I have the Lundberg book as well, both are quite useful to have, as they present things differently (using quite different techniques) and complement eachother. Lundberg doesn't say so much about the bowl construction, whereas it's quite detailed about other aspects, such as the soundboard tuning, which D. Van Edwards doesn't detail much (you actually don't need to know so much about it to build a nice and playable instrument -- just follow the plan). By the way, I had the chance to show him my lute two years ago, when we built the little viol together...
Soundboard edges and fingerboard edges are in my opinion (and experience) not so much additional work on a lute build (maybe 2 hours altogether), so I don't really see the point (no pun..) in leaving them out, even on a student lute. And according toΒ D. Van Edwards, spacers make the bowl easier to build...
Let me know, if you know more about that german book...Β
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SalHunter [2012-05-18 10:49:44 +0000 UTC]
Stunning work!
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Forest-of-Blades [2012-05-07 08:55:58 +0000 UTC]
Magnifique... Ce luth va Γͺtre un chef-d'oeuvre presque trop dΓ©licat pour en jouer.
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Lagroht [2012-04-24 17:18:26 +0000 UTC]
Superbe ! Très beau travail !
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Thorleifr In reply to Lagroht [2012-04-24 19:49:49 +0000 UTC]
Merci beaucoup !
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mjranum [2012-04-20 18:21:29 +0000 UTC]
Oh! That is stunning!!
Based on the way you do everything else, I'm guessing this is all cut by hand, right?? (I could see making that with a CNC machine but - hand?)
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mjranum In reply to Thorleifr [2012-04-21 13:10:12 +0000 UTC]
The machines are pretty amazing. I saw a CNC cut a piece of poplar into belgian lace - the operator was testing a new ceramic burr that left the wood looking like it had been oiled and polished.
Your craftsmanship makes me happy. Sincerely - my world is a better place knowing there are people who still care about making beautiful things with their hands.
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Thorleifr In reply to mjranum [2012-04-23 20:24:36 +0000 UTC]
I must say I haven't seen much stuff done by CNC machines...
Indeed, our modernity makes us forget we have hands to make things instead of buying them ready made. And it's such a pleasure to do it!
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Thorleifr In reply to GeshaR [2012-04-19 19:33:34 +0000 UTC]
Thanks!
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squaremonkey1 [2012-04-18 18:53:07 +0000 UTC]
Very Beutiful work my freind Wow!!
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Wyrdhaven [2012-04-18 08:17:08 +0000 UTC]
That's awesome work. I'm pretty sure I wouldn't have managed it without breakage. And the symmetry and uniform look to all your lines and sections is impeccable.
You've reminded me once again how far I have to go with my own carving efforts. An inspiration, as always.
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Thorleifr In reply to Wyrdhaven [2012-04-18 10:53:03 +0000 UTC]
Thanks. Actually it did have micro breaking at several places. Thank you superglue! There is also a sheet of watercolor paper glued on the underside to reinforce wood in the weak fiber direction.
And the design is punched through a drawing of the rose, that helps keep things symmetrical and uniform...
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Thorleifr In reply to Wyrdhaven [2012-04-19 19:38:13 +0000 UTC]
Actually I did do a bit of practice piece before also...
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Thorleifr In reply to Wyrdhaven [2012-04-21 08:33:12 +0000 UTC]
Thanks, yes I quite plan to do more (I did invest into some quality tools... I must make good use of them!)
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puppeteer-for-kings [2012-04-18 02:06:41 +0000 UTC]
Holy cow, Jerome! That is incredible!! It looks so delicate!
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Thorleifr In reply to puppeteer-for-kings [2012-04-18 10:48:36 +0000 UTC]
Thanks! Yes, I had to put some superglue here and there to prevent things from falling apart...
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JARM13 [2012-04-18 02:03:45 +0000 UTC]
I understand that sometimes they reinforce these with linen glued to the back . That is just a super job . Wow , and again wow !
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Thorleifr In reply to JARM13 [2012-04-18 10:47:35 +0000 UTC]
Thanks. Yes indeed, there is some reinforcement (and superglue!). But for lute roses, black-dyed wood bars are used and glued accross the underside. Then there is also paper strips inside the lute body over the joints. I think it can sometimes be linen or parchment too...
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JARM13 In reply to Thorleifr [2012-04-19 02:05:33 +0000 UTC]
Thanks for your information .
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Thorleifr In reply to JARM13 [2012-04-19 19:40:08 +0000 UTC]
You're welcome!
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Nindjako [2012-04-18 01:03:37 +0000 UTC]
wow
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Nindjako In reply to Nindjako [2012-04-18 01:04:28 +0000 UTC]
is this maded with CNC machine
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