Comments: 23
UncleBrazzie [2007-10-09 08:02:04 +0000 UTC]
Took my sweet time commenting this piece, for which you have my apologies. Most of your pieces are far down my backlog, but I try to sneak one past every once in a while.
This one's a bit ambivalent. I get the feeling you know your two characters well enough, and have set ideas as to their personalities and where you want to take them. At times this is evident in your wiriting, more precisely in passages where Mered and Sean are just tossing words back and forth, engaging in friendly banter.
At other times, however, the dialogue/monologue adheres too closely to the narrative for the characters' personalities and emotions to come through. The part where Mered explains her insanity to Sean in particular suffers from this: you're telling the audience, through Mered, what it's like to be insane. But Mered is using your voice, and your merciful and somewhat laconic tone doesn't suit Mered's despair.
This is perhaps the hardest trick to master: to make characters you care about speak about things you also have an opinion about, without them become mere vessels for your own words. If you can get Mered's part to sound like Mered, I think the piece will largely solve its own problems from there on.
Still, curious where this is going...
And Iwan is kyewt
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DorianP In reply to UncleBrazzie [2007-10-09 11:17:42 +0000 UTC]
Thank you. I'm completely off this series right now, can't work on it at all. Interesting viewpoint on opinions of characters being different from my own. Must keep that in mind some more.
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UncleBrazzie In reply to DorianP [2007-10-09 13:43:57 +0000 UTC]
Pity though. Any chance of you picking it up again?
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DorianP In reply to UncleBrazzie [2007-10-09 14:13:37 +0000 UTC]
At the moment my mind is way too occupied by other things. Things don't move along too well. We'll see. I haven't written anything at all for months.
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DorianP In reply to inter4life [2007-06-25 09:38:38 +0000 UTC]
yaaaay! Good grades?
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Felix-Forever [2007-06-16 17:37:33 +0000 UTC]
This is decent. However, I can see how you can find dialogue hard. Some of the transitions between people seem a tiny bit awkward.
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DorianP In reply to Felix-Forever [2007-06-16 18:26:27 +0000 UTC]
Then I'll work on the dialogues, like, very hard in the future. Cheers mate, hope you're doing alright.
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Alchemy-of-the-Heart [2007-06-15 23:06:52 +0000 UTC]
*gapes* Omagoosh.... Bits of that sound awfully familiar - not specifically, but general parallels. "I'm insane, so I don't mind if you stop talking to me" Wowsers.
I love the idea here, although I am thinking that perhaps it would be better to introduce Mered's insanity in the first segment. (I am being reminded of an article I just read about introducing the conflict of the story at the very beginning.)
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Alchemy-of-the-Heart In reply to DorianP [2007-06-17 03:05:39 +0000 UTC]
I see.... you might try [link] to find the article. The article is from the latest Writer's Digest, and that's their website, but I'm not sure if you'll find it on the site.
Oh, yeah. I know that feeling. I wrote a story for class about a girl who obsessively wanted to kill herself in a theater, and I scared the daylights out of my teacher - and my mother, when she read it.
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Alchemy-of-the-Heart In reply to DorianP [2007-06-18 20:12:36 +0000 UTC]
It is rather unrealistic, but some of the advice offered is valuable, and hopefully all the marketing savvy available in WD will eventually be of use.
Lol. Parents are strange critters sometimes. Or all the time.
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Alchemy-of-the-Heart In reply to DorianP [2007-06-23 23:30:57 +0000 UTC]
"When you grow up, your heart dies." ~Allison in The Breakfast Club
Let's hope Allison's macabre ideas aren't true!!!
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Alchemy-of-the-Heart In reply to DorianP [2007-06-24 23:10:33 +0000 UTC]
That's true too.... they only grow old. So maybe it's really that your heart dies when you grow old, or when you're no longer a teen, or.... ok, I give up. Oh! When you start reminding yourself of your parents, that's when! *pokes*
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