Comments: 23
MMBaird [2010-08-07 04:10:29 +0000 UTC]
Interesting little story you have here;
Nice starting, it catches the reader right away; it sets a setting, a character, and a situation... good.
I must admit I got confused with the boy's behavior; at the beginning I think he's just your common boy that's really cold and is complaining about it and about his mom picking him up late, but then his behavior later on while eating makes me think he's a sort of autistic boy or something like that? Also from the last line of the second paragraph:
"...-but cold soup is the least of his troubles. As soon as he finishes the ice cream he'll be sent to bed."
I could be wrong badly, but that's the impression I get.
I like the very last paragraph because of how you change the narrator so suddenly. I like the idea, I've seen it quite some times, but the change could be smoother, more subtle, see? Perhaps you could elaborate that part a little so you can gradually change the person narrating.
All in all, disregarding the fact that this is a first quick draft, I really liked this and I am certainly looking forward to seeing this get expanded; develope more the story, perhaps give more insights of the life of the boy, his thoughts, his relationship with his mother, his general life at home and school, and so on.
Kudos
By the way, I have two theories about who it is -here I go :
It could be his own self, his "dark side", for lack of a better term
OR
It could be his conscience.
If none, I fail XD.
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Helewidis In reply to MMBaird [2010-08-07 13:13:37 +0000 UTC]
He shivers in fear, because he knows he'll go to bed soon and he's afraid of the "monster". Actually, I inspired myself a little bit in my brother, who has Asperger's, for this piece. He was never afraid of that particular monster, and never passed by this whole story I described, but there are some key elements in common. Especially the anxiety of the kid, the fear in anticipation, right from the moment it gets darker, and bedtime approaches. So yeah, not autistic, but something like that. Close enough, congrats on getting that. No one else did, so far!
I need to work more on how the story is narrated. My intention was to give the feeling that the narrator is the same from beginning, but only reveals himself in the end. I need to work on a lot of things, actually. I'm also going to expand it. I have a back-story for this in my mind, that is eager to pop out. Hehe. I'm loving this crit month. Critiques like yours are very helpful to get an idea of how people perceive what I write. Thank you!!!
P.S.: In my mind, the monster is a school bag, that he carries around all day, and where he keeps his things and books.
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Helewidis In reply to MMBaird [2010-08-08 21:53:51 +0000 UTC]
Thank you very much, once again. You are too kind. Btw, are you interested in a poke from me after I edit it?
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fyoot [2010-08-02 20:20:21 +0000 UTC]
Firstly, nice one. A lot in a very short piece. Great scene setting with the slight creepiness hinted in the first sentence.
I found it hard to get a handle on the first section of this. I don't know who the narrator is and it's a very impersonal style which is perhaps a bit too clinical. While I'm not keen on clippy's war against the passive voice in general, I think there is probably a little too much of it in your first paragraph: "In the school's backyard the wait for his mother ends" and "Her question wasn't met with a reply". Try rephrasing a lot of that first paragraph, as *ThornyEnglishRose says, in a simpler sentence style. The kid is young; try phrasing it in a way he would understand or would phrase it himself.
I'm not sure the world-controlling outburst fits with the way you have characterised the boy. I think the characterisation is confused a little in general: sometimes the boy is subdued and self-controlled enough to eat slowly, other times he has tantrums. It's not impossible, but more likely he'd react one way or t'other.
"At the back of a seat" is syntactically weird. It's a seat in the mother's car - "the seat" might work better than "a seat" but I'm imagining the kid as young enough to still need a child's car seat, yeah? "At the back" is hard to visualise - is he hugging his knees, backed into the corner, what?
I really like the ending where the bag/monster takes over the narrative and I think it might be effective to have him narrate the whole story. Maybe give it a try.
Good work on capturing the boy's fear in the second paragraph, but I think you can stand to lay it on ever more thick with the fear.
Good luck with your revision!
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Helewidis In reply to fyoot [2010-08-02 23:37:33 +0000 UTC]
Aye! It seems I spent too much time writing scientific articles and way too much time without writing fiction. Thank you for pointing out the clinical feeling. I wasn't aware I was doing that.
Thank you very much for giving me some honest and helpful critique. I have food for thought for a long time, now. I was starving!
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joe-wright [2010-08-02 17:46:34 +0000 UTC]
I really like this piece, the only things I can think to critique are practical. 'backseat' probably needs a space between the words, and 'in a slow pace' would probably work better as something simpler like 'hesitantly' or 'woodenly' or something. I can't think of a better way to say what you meant there to be honest, but 'in a slow pace' doesn't seem to fit right.
Apart from that I don't really have anything to offer, that was great! Nice atmosphere.
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ThornyEnglishRose [2010-08-02 16:40:35 +0000 UTC]
Overall, I like this piece very much. The narrator is shrouded in mystery - it's fun to imagine just who or what it is. The story of the little boy is tragic and rather disturbing, and that comes across really well.
I think you could cut down on some of the long words and sentences. Short, sharp and to the point would work better for this. For example, 'If the traffic wasn't so deafening' could be simplified to something like, 'If not for the traffic'. We can quite imagine that it's deafening without being told. If you want to convey just how loud it is, a shorter word would be better, I feel. The roar of the traffic is a cliché, as you well know, but something similar in size would be good. The phrase 'wishing he could control time and the four seasons' also seems a little long, and then he asks why not the world, which is really a shorter and simpler way of saying the same thing. I think just 'wishing he could control time' would work a lot better here.
In the second paragraph, you suddenly switch to past tense. I think I can see why you did it; the narrator is talking about general events, that always happen, and then about something specific. But I think it would be better to stay always in the present tense. If any writer is going to change tenses, it takes the most horrific amount of control, and I've seen professional published works (even good ones) come unstuck at moments like this.
There are a few words in the last paragraph I think could be culled; 'the shadows inhabiting it' could be just 'the shadows' - we know where they are, as you've already told us - and I don't think you need to specify 'when he's about to be alone'. That's implied. Or if you did want to keep the word 'alone' to underline the point, 'about to be' makes the sentence seem laboured. The parentheses are incongruous also - I have come not to expect them from this narrator. I think it would help a lot if you split that final long sentence in two. The closing sentence would then read well as: 'But at night, when he's alone, I suddenly become the monster underneath his bed.' (Some may question the need for the word 'suddenly' there, but personally, I rather like it.)
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Adonael In reply to Helewidis [2010-07-30 15:51:37 +0000 UTC]
It was always the same with me for semi-colons so I can sympathise xD and no worries -bows-
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